In the past 20 years I've had 3 different "commercial" studios on or near Nashville's famous Music Row. The last location, 1525 McGavock St., was the same building in which Chet Atkins produced the first recording session with Elvis Presley for RCA Records which included "Heartbreak Hotel". Unfortunately, shortly after I moved out it was demolished and is now a parking lot.

My current studio is located about 30 minutes from downtown Nashville, up in the hills looking out into the woods - a very comfortable, relaxing place to work. It's "semi-private", meaning I only use it for my projects or those of other producers and musicians I've come to know over the years. Equipment includes a 1979 MCI JH16-24 2" analog machine, a 1977 MCI JH-110A 1/4" 2-track machine, an Amek Mozart console with automation, and various vintage and newer compressors, EQs, etc. I also have a Protools HD2 rig with 24 ins & 32 outs.

I truly believe that the gear is secondary in having a "successfull" studio. The primary factors are the engineer's experience, ears, and personality; and the comfort level of the environment. The best gear available is worthless if the performance is not there, and when a musician or vocalist feels at home and confident in the abilities of the engineer/producer, creativity abounds.